Are you looking for a creative vendor that understands educational publishing? A multi-layered weaving of moving parts making up a very strategic whole. Fortunately, we have worked with a variety of cutting-edge educational publishing partners through out the years who have produced stellar products. We have collaborated, and created, successful educational programs with full-service teams spread across the world. Our 14 years of hands-on publishing experience provides your company with a team who understands all the moving parts. Consider us just an external extension, of your internal team.
OUR EXPERIENCE & STATISTICS
Experience: 14 years • Partners: Cengage Learning • Holt, Rinehart and Winston • Houghton Mifflin Harcourt • McGraw-Hill Education • National Geographic Education • Pearson Education • Rigby Education • Scott Foresman • Grades: K-12 • Multi-page/Multi-lesson/Bi-lingual Design • Disciplines: Earth Science • Life Science • Physical Science • Literature • History • Reading • Math • Social Studies • Fiction & Nonfiction • Assets: Textbooks • Trade Books • Big Books • Magazines • Ancillaries • Student Edition • Teacher Edition • Special State Editions • Manipulatives
Concepts/Prototyping • Cookbook/Template Development • Digital Tools (K4, Habitat, BOX, HIP) • Virtual Meetings (GoTo, Join.Me, Skype, Zoom) • Onsite Meetings • Illustrative Art (Art House management, designer sketches, artist sketches, final art) • Technical Art (charts, equations, graphs, maps) • Stock Photography (low-res, hi-res, procurement, credits, licensing) • PhotoShoots • Photo Manipulation (color-correction, clipping paths, cloning) • File prep (archival packaging, FTP, font management) • Team collaboration • Quality control
“The whole purpose for education is to turn mirrors into windows.” Sidney J. Harris
Let us take your educational curriculum from written standards to visual mastery. We can provide concepts through design management for your next print or digital edition. Our team develops your content with a strategic eye weaving visual assets throughout. Insuring each layer has purpose and synchronicity. Working cohesively to unite color, type, art and photo—achieving the whole in a stellar product.
The argument in favor of using filler text goes something like this: If you use real content in the design process, anytime you reach a review point you’ll end up reviewing and negotiating the content itself and not the design. This will just slow down the design process. Design first, with real content in mind, but don’t drop in the real content until the design is well on its way.
The argument in favor of using filler text goes something like this: If you use real content in the design process, anytime you reach a review point you’ll end up reviewing and negotiating the content itself and not the design. This will just slow down the design process. Design first, with real content in mind, but don’t drop in the real content until the design is well on its way.
If you use real content in the design process, anytime you reach a review point you’ll end up reviewing and negotiating the content itself and not the design. This will just slow down the design process. Design first, with real content in mind, but don’t drop in the real content until the design is well on its way. Using filler text avoids the inevitable argumentation that accompanies the use of real content in the design process.
Connect now so we can talk at length about your up-and-coming educational program needs.